Brand films + campaign delivery
Brand film editing and campaign post-production.
I help brands, agencies, and production teams turn an idea, brief, or body of footage into a strong master film and the versions needed around it. The edit, graphics, effects, sound, and delivery system are developed as one piece of work.
The scope can begin in editorial or earlier in the creative process. It can end with one finished film or continue through cutdowns, ratios, captions, clean versions, and screen-specific deliverables.
Where this fits
Start with the material you actually have.
A polished production package is useful but not required. The early job is to identify the story, the delivery system, and the decisions that need approval.
An early idea or brief
Clarify the intended audience, story shape, visual language, deliverables, and practical production path before the work expands.
A shoot or footage library
Review the material, find the strongest structure, and build a master film that feels authored rather than assembled.
A master that needs a system
Extend an approved direction into cutdowns, aspect ratios, captions, clean versions, and campaign-specific formats.
Typical scope
One master narrative, carried through every required format.
The exact disciplines follow the idea. Keeping them connected reduces the gap between the film that gets approved and the campaign assets that reach the audience.
Master film
Story structure, selects, editorial development, pacing, music, dialogue, and picture finishing around the primary narrative.
Motion + image craft
Titles, graphic systems, product animation, 3D/VFX, compositing, cleanup, and visual transitions built for the film.
Sound + finishing
Sound design, mix coordination, technical checks, and a clean final pass across picture, graphics, and audio.
Campaign versions
Cutdowns, social ratios, captions, clean versions, language-ready files, and organized deliverables based on the channel plan.
How the work moves
Approval points protect the idea before versioning multiplies it.
The master direction is reviewed and approved at agreed stages before the work expands into campaign variations. That keeps changes visible and prevents an unresolved decision from propagating across every deliverable.
- 01
Align the project
Define the goal, deliverables, stakeholders, decision owner, timing, and what already exists. A polished brief is not required.
- 02
Map the work
Agree the approach, milestones, approval stages, included feedback rounds, assumptions, and fee before production begins.
- 03
Build, review, and approve
I build the work and share it at agreed checkpoints, with feedback consolidated and approval recorded before the next stage begins.
- 04
Finish and hand off
Complete final checks, confirm approvals, and deliver organized assets in the agreed formats.
Relevant work
Selected projects for this kind of scope.
With Hollandwest for When We All Vote
Michelle Obama: When We All Vote
Editorial · Motion graphics · VFX/compositing
A multi-film campaign collection for When We All Vote, with editing, animation, and VFX/compositing by Timvan.
View case study
With Skiesfall for Carthage College
Carthage College: Athletics Intro System
Editorial · Motion graphics · VFX · Camera · Color
A twelve-film sports intro system developed through pre-production, camera work, editing, motion graphics, VFX, and color.
View case studyPractical questions
What buyers usually need to know.
Can you help before footage exists?
Yes. I can help shape the intended story, visual approach, deliverables, and post-production plan before a shoot or asset handoff.
Can you take over once production is complete?
Yes. Many projects begin with supplied footage, scripts, brand files, and a delivery brief. I can carry that material through editorial and the agreed finish.
Do campaign cutdowns need to be scoped at the start?
Ideally, yes. Knowing the channels, lengths, aspect ratios, caption needs, and clean-version requirements early helps the master film support those outputs.
Can the project be fixed fee?
Yes, once the master deliverable, version list, schedule, approval stages, included feedback rounds, and major assumptions are clear.
Start with what you know
Have a film or campaign system to finish?
Send the idea, footage, delivery list, launch date, and what is already approved. I will reply with fit, scope questions, and a practical next step.
Request a project estimateA polished brief is not required.